This series examines the quiet negotiations between exposure and concealment, how much of ourselves we allow to be seen before we begin to dissolve.

Each painting starts as something familiar: a vase, a table, a spill of light. But as the work evolves, structure gives way to atmosphere, and meaning slips between the physical and the emotional. The surfaces hold both restraint and rupture.

The recurring objects, domestic, appear almost ceremonial, become stand-ins for the body and its memory. The work lives in the intuitive use of paint, in the hesitation of a line, in the deliberate act of leaving something unfinished.

What connects these works is not just their subject matter but their emotional pulse. They are attempts to hold a moment steady long enough to feel it, to acknowledge the importance of it.